Thanks to André Felipe from Typo/Graphic Posters for making an interview with me about Poezin posters.
More here: www.typographicposters.com/blog/poezin-posters-dragana-nikolic
and here is the whole text of the interview:::::
poezin is an event that includes performance, slam, hip-hop, street poetry, poetry, and is based on underground culture. it is aiming to create a new poetry scene in belgrade, where the audience is the only and most valuable critic, and everyone can apply.
typo/graphic posters: what was the first impression from your client when you presented the design?
dragana nikolic:
it wasn’t a classical client-designer story. it started as a non-commercial project with no money, i was helping some friends that were organizing this poetry event. they trusted in me, and i had the freedom to do whatever i want. in the end they were very satisfied.
it wasn’t a classical client-designer story. it started as a non-commercial project with no money, i was helping some friends that were organizing this poetry event. they trusted in me, and i had the freedom to do whatever i want. in the end they were very satisfied.
i
guess that the public didn’t expect this. they were generally excited
and sending feedback mostly about the body-art series, writing/painting
on bodies of poets that were performing. just a few posters were printed
and placed on the venue, mainly they were spread through the internet,
facebook and emails.
the
biggest challenges were perhaps changing of the venues to keep the
design following the concept of the events, since in these few years
there were maybe 6 differents clubs, that are all a story for itself.
here are some connections:
- the outdoor wire series: it was made for the club called žica (the wire), so it was a logical solution;
- kung fu series: the event was held in the club called u zmajevom gnezdu (in the dragon’s nest, name clearly inspired by bruce lee’s films) in the bigz building, used to be the headquarters of the national printing institution of yugoslavia, a symbol of the ex-country, and now an almost ruined place, kind of a new art center, but with an incredible spirit. so, i also wanted to connect those two things, beautiful and spooky old hallways, the atmosphere and chinese symbols.
- the outdoor wire series: it was made for the club called žica (the wire), so it was a logical solution;
- kung fu series: the event was held in the club called u zmajevom gnezdu (in the dragon’s nest, name clearly inspired by bruce lee’s films) in the bigz building, used to be the headquarters of the national printing institution of yugoslavia, a symbol of the ex-country, and now an almost ruined place, kind of a new art center, but with an incredible spirit. so, i also wanted to connect those two things, beautiful and spooky old hallways, the atmosphere and chinese symbols.
yes,
i prefer aesthetics over functionality and think that poster is more
than just giving information. it goes beyond applicability – like this
interview proves, since you don’t understand serbian, and yet you’ve
invited me to talk about my work. expression brokes the language
barriers. of course when i have strict demands, i am pretty disciplined.
i live in belgrade (serbia), which is a very beautiful and inspiring city for me. i really admire artists like stefan sagmeister,
tadanori yokoo, coralie bickford-smith, gray318, igor hofbauer… and
many more, it is really hard to say! also i try to show admiration and
respect for some of them secretly or openly in my work, so it is for the
viewers to find.
i
would like to thank my friends from poezin, milan and sinister, who
started the whole thing, for such enthusiasm, help and inspiration, and
also the poets, performers, etc. it is one lively and creative bunch of
people. without that kind of creative interaction nothing of this
would’ve happened.
we are proud to have dragana’s as a member of typo/graphic posters, where you can enjoy more of her work: www.typographicposters.com/dragana-nikolic
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