Showing posts with label press. Show all posts
Showing posts with label press. Show all posts

Tuesday, July 11, 2017

Esej posvećen dizajneru knjiga - FPU Grafika knjige



Esej posvećen jednom dizajneru knjiga je zadatak na Master akademskim studijama na predmetu Grafika knjige na Fakultetu primenjenih umetnosti u Beogradu.
Autorka i studentkinja Tamara Petrovski je izabrala da piše o mom radu.
Pogledajte i eseje o drugim dizajnerima na ovom zanimljivom sajtu. :)

Essay dedicated to one book designer is a task on the Master Studies, on the Faculty of Applied Arts, Belgrade.
Author and student Tamara Petrovski chose to write about my work.
and check other book designers as well :)
/you can choose language on the top right



Wednesday, July 20, 2016

Interview for Yaghout-Art


Interview in Persian for yaghout-art.ir, thanks to dear Meghdad Shirali, graphic designer from Iran, for inviting and interviewing me.

Here's the full interview in English  

Please tell us a summary about your work history?
I’ve graduated on Academy of Arts, Graphic design department, Novi Sad, Serbia and been working on different projects in culture and publishing since then. I love to read, and my friends are mostly poets and writers, so this field of design came spontaneously.

In what shape and form sketching has been appeared in your life?
I’ve been always sketching, in school, and after, when making ideas for work.

In your opinion what’s the difference between a sketcher and a designer?
Well, you can use sketching in design, like one step to get to the finished work. You just have to rethink your idea, bring it to life, not to leave it half made.

Does it have any difference?
Yes, of course. Sketching gives you so much freedom to try quickly what you want, and I do it mostly by hand, then transfer it to a computer.

Does your design inspiration comes from your personal experience of life?
Yes, from the people I meet, places I have visited, country that I live in, and all that shaped my personality.

If not so where they comes from?
Also I am inspired by the works of other artists, not only designers, but film directors, writers.

Who has had the most impression on your design?
I am not sure, it is certainly a group of people, my teachers at the beginning, who opened the new world for me, then people whose work I admire very much, and now my colleagues all around the world whose work I have the chance to see on internet and on international exhibitions.

What’s the philosophy of your life?
I have no plan, just go with the flow.

What’s the philosophy of your designing?
To work something you believe in, to work for the good cause, to help someone with what you do, to change a little bit you can.

What are your best personal achievements?
When I help people, friends, when I work for some idea with whole my heart, this is my best personal achievements, and I try to do it more. I used to think earlier more about career, about personal goals, but what really matters to me now is to be self aware, and to do your best to help others in a way you know best.

Do you have personal method? Basically, do you believe personal method in graphic design?
I don’t know, I think it is an individual thing. I like to see how artist develops, not to be stucked in some kind of mannerism, to experiment and to explore.

What is your feeling if a student imitates your personal method or designed based on your designs in graphic design?
Well, I think that Picasso said „Good artists copy, great artists steal“. And Jarmusch added „Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to.“

What is your sight about loyalty to the indigenous culture and identity in graphic design?
I think that’s OK. But I also think that design is universal, and because so easy to understand globally, and it is a true magic when you can make something so understandable in your culture and in the world. To make something very personal and your own and also universal.

What do you know now which you wish you knew in the past?
How to deal with different clients, to appreciate my work more, but I’m still working on it.

What part of your work you hope to be discovered in the future?
I hope, humanity.

What topics attracts your intention more?
Socially engaged topics. Theatre and film.

What is the last work which draw your admiration?
I admire the work of Peter Bankov every day, he is such a prolific artist, it amazes me how he is always curious and there’s always freshness, excitement and unbearable lightness in what he does.

When you're working?
When I am freelancing, usually I work in the afternoon, or at night.

Who is your favorite Graphic designer?
For years it was Tadanori Yokoo, Japanese poster designer, he was such a revelation for me. I love the psychedelic design from the Sixties, and also Polish and Czech film posters. But now, it’s hard to tell. I actually now really admire people that try to bring together designers, on exhibitions, or websites like this one is. Designers from Iran, Behnam Raeesian and Hamid Nejati invited me to participate on some exhibitions that they organized, and really surprised me with such a live and emerging graphic design scene in Iran, on which I am very grateful.

What attracted you to the story further?
I guess now, it is an addiction

For those who want to work Graphic design What advice would you turn?
Work and believe in yourself and what you do, and make design for what you believe in.

Now what are you doing?
Answering your questions :) aaand working on some new book covers, stay tuned! :)

Thursday, August 28, 2014

Type Plus book by Unit Editions





Two of my Poezin posters are included in the new book Type Plus, published by Unit Editions, London, UK.
Proud to be among such great designers like Paula Scher and many others..

Book launch is on the September 4th, 7-9 pm
KK Outlet, 42 Hoxton Square
London N1 6PB
Exhibition runs 1-6 September


Type Plus investigates the practice of combining typography with images to increase effectiveness, potency and visual impact. Today, graphic designers use type in partnership with graphic elements in ways that turbo charge meaning and impact.
Type plus image – or images – can greatly enhance typographic expression. And letter forms themselves, when redrawn, combined, distorted, or augmented with decorative embellishments, can enhance meaning and lend emotive qualities to all kinds of typographic communication.
By focusing on a host of contemporary practitioners from around the world, Type Plus creates a picture of a new dynamism in typographic expression. The era of type as a passive, semi-invisible holder of meaning is long gone.
Book includes interviews with Non Format, Two Points.Net and Erik Brandt.

Sunday, May 18, 2014

Tekst o izložbi Ai Vejveja "Evidence" u dnevnom listu Danas

http://www.danas.rs/danasrs/periskop/prevazilazenje_granica.48.html?news_id=281505




My text about Ai Weiwei's exhibition "Evidence" in Berlin (from 3rd April to 13th July 2014).
---

15.5.2014.


U muzeju Martin-Gropius Bau u Berlinu, na 3.000 kvadratnih metara, u 18 prostorija, otvorena je do sada najveća izložba kontroverznog kineskog umetnika i disidenta Ai Vejveja pod nazivom „Evidence“

Vejvej, poznat po svom kritičkom i političkom delovanju, i ovog puta beskompromisno predstavlja represiju koja postoji u Kini. Koristeći svoju popularnost kao zaštitu, on otkriva mračnu stranu savremene Kine. Neprekidno praćen, prisluškivan, zatvaran, ali ne i ućutkan, postao je simbol borbe za ljudska prava. Kineska vlada mu je 2011. zaplenila pasoš i uprkos pokušajima nemačkih zvaničnika, Vejveju nije bilo dozvoljeno da prisustvuje otvaranju izložbe. 
Široj publici je postao poznat preko dokumentarca „Never Sorry“, gde se prikazuje njegova društvena angažovanost, a posebno njegova veb pristupačnost, u Kini gde je upotreba interneta restriktivna. Umetnik nije izolovan u svom studiju, već aktivan učesnik i kritičar. Po njemu, umetnost je nerazdvojiva od socijalnog angažmana. Ima i pomalo kontradiktornu ulogu, oreol vizionara-šoumena. Školovan u Americi 80-ih, pod uticajem Vorhola, on zna kako da napravi spektakl. Sa iskustvom jednog i drugog, on je protiv i komunizma i kapitalizma, i time predmet različitih tumačenja, zbog čega i možda toliko neodoljiv publici. 
Otvoreno politička, izložba reflektuje teme kao što su nadzor, ekološki problemi i sloboda govora. Na izložbi je predstavljena i replika zatvorske ćelije u kojoj je proveo 81 dan pod neprestanom prismotrom, dokumentarni filmovi, o tome kako je njegov studio u Šangaju, po završetku gradnje, kineska vlada, od koje je prvobitno dobio dozvolu i prostor, odlučila da sruši. 
Već u holu muzeja nailazimo na elektronsku kameru za nadzor od mermera, instalacije od bicikala... Centralno delo su Stools, instalacija od 6.000 hoklica sakupljenih po selima iz čitave Kine, koje prekrivaju pod atrijuma muzeja. Vaze Han dinastije sa auto-lakom, ready-made radovi iskazuju poštovanje jednom od uzora Vejveja - Marselu Dišanu. 
Iako je socijalno angažovana umetnost danas postala globalni fenomen, i nešto na čemu se insistira, retki uspevaju da svojim delom transcendiraju politička dešavanja i prevaziđu granice i ograničenja.  
Kreativnost, po Vejveju, jeste moć da se odbaci prošlost, da se promeni status quo i da se potraži novi potencijal. Jednostavno rečeno, na stranu upotreba imaginacije - možda važnije - kreativnost je moć delovanja!

Thursday, November 14, 2013

At Vaasa LittFest 2013.

http://littfest.vaasa.fi/?page_id=1441&lang=sv

http://online.vasabladet.fi/Artikel/Visa/12157
Foto: Linus Lindholm
Dejan Matić, pesnik i urednik Trećeg Trga, Slavica Agatonović, prevodilac sa švedskog i ja bili smo gosti književnog festivala Vaasa LittFest, u Finskoj, 8. i 9. novembra.
Predstavila sam novi kratki poetski film Odvikavanje, po pesmi Dejana Matića i dizajn u Trećem Trgu (dizajn korica, ilustracije, vizuelni identitet festivala).
Intervju povodom gostovanja je objavljen u dnevnom listu Vaasa Bladet http://online.vasabladet.fi/Artikel/Visa/12157

Dejan Matić, poet and editor of Treći Trg, Slavica Agatonović, translator from Swedish and me were guests at Vaasa LittFest, Finland, on 8th and 9th November.
I presented new short poetry film Odvikavanje (Breaking The Habit), made on poem by Dejan Matić, and had a presentation about design in Treći Trg.
An interview about our visit in Vaasa Bladet newspaper here :) ::: http://online.vasabladet.fi/Artikel/Visa/12157

http://online.vasabladet.fi/Artikel/Visa/12157
Vaasa Bladet, 8.11.2013.

Wednesday, October 30, 2013

Featured on BirdWatching

http://www.graphicbirdwatching.com/creativefield/poster/dragana-nikolic/


Check it out on
www.graphicbirdwatching.com/creativefield/poster/dragana-nikolic/



about : : :
BirdWatching is a new platform for women in graphic design, professional practice and career development, with an aim to connect, support and promote women in graphic design everywhere. 

((Bird is English slang for woman. The Watching bit alludes to the visual design element of our profession but also borrows from and paraphrases organisations such as Human Rights Watch (or Neighbourhood Watch) and means that we are here to watch out for each other and our common interests – BirdWatching.))_